Onwards, outwards
On Friday I reached an 'in principle agreement' to stage a version of Scenes from Communal Living in Sydney with an Australian cast in December. My thinking is to see if the idea is replicable and possibly even franchiseable. I'll co-produce the show with Marko Mustac, an old friend who is also one of the best producers of improv in Australia and who will also be its director.
What's the point in living and working 'globally' if I don't leverage that experience to create something interesting?